Classic Film Comedy Short Stories #7

 One of the first images that may come to ones mind when they hear Laurel and Hardy is the two carrying a piano up a flight of stairs. Before this film the duo appeared in another film in which they carried a washing machine up the same flight of stairs and had much of the same trouble. This 1927 film has unfortunately been lost, but some screen shots still exist such as the one I included here. The film was named Hats Off.


Universal did not want Lou Costello to do his own stunt work, so much of the stunt work was done by Lou's older brother Pat Costello. You can see Pat along side his brother in the film Mexican Hayride. He would also be a producer on the film Jack and the Beanstalk staring Abbott and Costello. He would also be a producer for The Abbott and Costello Show for TV.

Lou Costello was a great athlete and in the film Here Come the Co-eds, he had done nearly all of the complicated basketball shorts in the movie.

Charlie Chaplin did not get along with his City Lights costar Virginia Cherrill. After she showed up late one day Chaplin wanted to fire her from the movie. He was going to replace her with Georgia Hale who had costarred with Chaplin in The Gold Rush. However she still costars in the film because too much time and money was spent on scenes with her in them, he decided not to re-shoot.

Though Buster Keaton did nearly all of his stunts in his independently produced films. The only exception to this is his character's s amazing pole vault into his sweetheart's room in College.


-Michael J. Ruhland

Classic Film Comedy Short Stories #6

Even though he never received director's credit on any Laurel and Hardy film, Stan Laurel often times worked very closely with the director, and basically co-directed many of these films.

Director Leo McCarey is the only person to take credit for teaming Stan Laurel and Oliver Hardy.

During the making of The Time of Their Lives(1946), Lou Costello called director Charles Barton saying, he should play Bud Abbott's part. Barton said there was simply to much of the film already shot to do this. Costello didn't come to work for a little bit, but Barton called his bluff. When Lou Costello came back on set, he never mentioned this incident and continued the part originally written for him.

 Buster Keaton was known for taking huge risks for the stunts of his films. In the scene of "Steamboat Bill Jr." in which the front of a building falls towards and he is safe because he stood where an open window was, he made a piratically big risk in fact many on the set feared for Keaton's life because if things went wrong he could have easily died.



After years of being an independent filmmaker Buster Keaton moved to MGM mainly for finical reasons. However he soon found himself treated as just an actor, and was no longer able to direct his own films. He became very unhappy with many of the films he acted in, and would call this the worst decision he ever made. Interestingly though even though he acted in many sub-par films for MGM, his first film at MGM, The Cameraman, is in fact a masterpiece.

In the film A Day at the Races, Groucho Marx's character was originally named Dr. Quackenbush. However MGM's legal department found out that there were real doctors with that name so to avoid offending anyone the name Dr. Hackenbush was used instead. Groucho often called this character the best one he ever played.

-Michael J. Ruhland