Moe Howard's wife Helen suggested the story line for Hoi Polloi, one of the three stooges best films. However when she was asked if she would rather have money or screen credit she took the money.
In Fredrico Fellini's The White Sheik, the director's excellent first solo directorial feature, a star of one of Fellini's great coming classics showed up in a small cameo. This was the character Cabiria (played by the director's wife Guilietta Masina) who would later become the main character of The Nights of Cabiria, one of Fellini's many master pieces. It is also with noting that some of Nino Rota's musical score for the film would later be used in Fellini's La Starda (La Starda is one of my favorite movies ever made which makes this connection all the cooler for me).
Buster Keaton's first feature Three Ages was made so that it could be cut up into three shorts if it did not do well, to help make back some money. However the film was a hit and Buster would make more ambitious features in the future.
Lost in Alaska with Abbott and Costello was the first film in which composer Henri Mancini worked. He would later go on to immortality for composing the Pink Panther theme.
Though Charlie Chaplin's The Circus was released in 1928, ideas for the film had been going around Charlie's head since 1920.
Edna Purviance one of Charlie Chaplin's earliest leading ladies stayed on Chaplin's payroll well after she retired. Charlie had great respect for Edna and even directed the drama film A Woman of Paris, her first staring role and produced her A Woman of the Sea, her only other staring role. Unfortunately A Woman of the Sea is now a lost film, and A Woman of Paris is an underrated classic.
A 1921 silent film called Humor Risk was the film debut of The Marx Brothers, unfortunately this is a lost film today.
It's time to take a look at one of the most successful studios of the silent era, The Keystone Studio, and it's films.
Our first film today is The Water Nymph. Released in 1912, this was the first film the studio released. Mack Sennett started his career at the Biograph Studio, a studio founded by D.W. Griffith himself. D.W. Griffith never understood comedy, and because of this Mack Sennett never fully got to be himself as a filmmaker. This is one of the main reasons Mack Sennett founded the Keystone Studio. Sennett directed this film himself, it was somewhat a remake of a film he had made at Biograph in 1911 called The Diving Girl. However The Water Nymph is much rowdier and more comedic than the previous short. This film stars Sennett, Mabel Normand (who was also in The Diving Girl), and Ford Sterling. The beautiful and talented Mabel Normand in her one piece bathing suit, would later give birth to Mack Sennett's bathing beauties, a later staple of Keystone films. It is hard to understand today, why this film was so revolutionary, but 1912 audiences had never seen such a mixture of slapstick and sex (tame compared to modern films) on the movie screen before. However this does not stop it from being quite entertaining still.
Many stars got their start in films at the Keystone studios, including W.C. Feilds, Fatty Arbuckle, Ben Trupin, Harry Langdon, Harold Lloyd, Marie Dressler and Charlie Chaplin. One of Chaplin's best films from his time at Keystone was our next short, Dough and Dynamite. Released in 1914, Chaplin's first year in films, it is obvious that his own style of comedy was already becoming evident. This film has no trouble taking it's time and slowing down the pace to make the slapstick even funnier, something that was not evident at all in his first few films at Keystone. This film was directed by Charlie Chaplin, and written by Mack Sennett. Chaplin did not start off directing his own films, but he became increasing unhappy with his directors to the point where he asked if he could direct his own films. After this he would very rarely star in any film that wasn't directed by himself.
Next we are going to look at an early film for a group that Keystone is highly associated with
Keystone, and this was the Keystone Cops. The Keystone Cops first appearance had been in a 1912 film called Hoffmeyer's Legacy, but this film is still often called their first film, and it was the one that popularized the team. Despite popular belief the cops were hardly ever the stars of their films. Like Mighty Mouse would later they usually didn't even appear until near the end of the films. This film's real star is Mabel Normand instead. The lineup for the Keystone Cops would often change from film to film, here they are played by Fred Mace, Charles Avery, Rube Miller, Edgar Kennedy, Jack Leonard, and Fred Happ. This film is directed by Henry Lehrman who was one of the most prolific Keystone directors. So from 1913, here is Bangville Police.
Our last film tonight is one of the classic Mack Sennett produced shorts staring Harry Langdon. It is Soldier Man from 1926. Langdon was in his prime at this time, and he already had his trusty crew behind him. This crew included director, Harry Edwards, and writers Arthur Ripley and Frank Capra (yes the Frank Capra who later directed It's a Wonderful Life and Mr. Smith Goes to Washington). Also playing a supporting role is someone who would be very familiar to my fellow Three Stooges watchers, actor Vernon Dent, who appeared in quite a few films with Langdon at this time. What is also very interesting about this film is that it's opening scenes are quite similar with those that opened the latter Laurel and Hardy feature Blockheads. What makes that interesting is that Harry Langdon would be a writer for that film. Anyway this is a very funny short that shows just how great the team of Langon, Edwards, Capra, and Ripley could be at their best. http://www.dailymotion.com/video/x23dghg_soldier-man-1926-harry-langdon-harry-edwards_shortfilms
