Happy 125th Birthday Oliver Hardy

Anyone who reads my blogs, knows that I love Laurel and Hardy, and why not? They are hilarious. And on Oliver Hardy's 125th Birthday of course I have to write about some films he appears in.

The first film we are going to look at is called The Paperhanger's Helper (also known as Stick Around) and was before Oliver Hardy teamed up with Stan Laurel. In this film he is teamed up with a forgotten actor named Bobby Ray. The relationship and humor in this film however are very reminiscent of the work he would do with Stan Laurel. There  are some distinct differences though. Oliver Hardy plays a mean character here than he would later and Bobby Ray, while talented doesn't have the charisma of Stan. Despite this however the film is very funny, and a delight to watch. So from 1925 and directed by Ted Burnsten, here is The Paperhanger's Helper.

Next up we are going to look at the first film where Stan and Ollie were teamed, Duck Soup (the supervising director was Leo McCarey who would direct the better know Marx Brother's film of the same name). Unlike most comedy teams of the time Laurel and Hardy teamed up on film, instead of some where else, first. Though they had appeared together first in 1921 with The Lucky Do, they were not a team until this film. Interestingly the film was originally going to star Stan Laurel and Syd Crossley. However for unknown reasons Syd did not appear in the film and was replaced by Oliver Hardy. The story of this short was based off a skit written by a British Music Hall comedian named Arthur Jefferson, who just happened to be Stan's father. This story would be used again for the teams talkie short Another Fine Mess. This is a delightful film and it is easy to see why the team would soon become so popular with audiences. It is also worth noting a first the studio didn't realize what it had as Stan and Ollie would make quite a few shorts separately and also both appear in films where they shared very little footage. So from 1927 and directed by Fred Guiol (with supervising direction by Leo McCarey) here is Duck Soup.

















Last but not least is one of my favorite Laurel and Hardy shorts, Their First Mistake. This short may be one of the funniest live action short subjects ever made. Along with Stan and Ollie also appearing in this film was Mae Busch (in a returning role as Mrs. Hardy (she had already played Ollie's wife in Unaccustomed As I Am, and would later return to the role for Sons of the Desert and The Bohemian Girl)) and Billy Gilbert (known to my fellow Disney lovers as the voice of Sneezy in Snow White and the Seven Dwarves), both giving great performances. Stan Laurel was known for improvising and here he improvised so much that the film went over schedule and budget that the ending was never filmed, leaving the short without a proper ending. However this is not a big deal as the film is so funny, I don't care about the lack of an ending. So from 1932 and directed by George Marshall, here is Their First Mistake.

https://www.youtube.com/watch?v=f-yDwTL3YiI

-Michael J. Ruhland    

Keystone Karnival #2

You know what time it is. Of course you do... It's Keystone Time. Yep we are going to look at some more shorts from the Keystone studio.

First up is A Busy Day, a film staring the biggest name to come out of Keystone, Charlie Chaplin. While Charlie would later leave Keystone and go to make some of the best comedy films of all time, he got his start at the Keystone studio. He worked at the studio only for the year 1914, however a lot happened during this year. He had his first film role, he adopted the Tramp costume, he started directing his own films and he acted in Tillie's Punctured Romance (the first known feature length comedy). When making A Busy Day, he had not begun directing yet, instead this film is directed by the head of Keystone Studios himself, Mack Sennett. Also while he had appeared in the Tramp costume by this time (starting with Kid Auto Races in Venice), he had not truly adopted the costume and the character was far from realized. In this film he does not appear in that costume but rather in drag, actually playing a woman, with Mack Swain (who would later play Big Jim McCay in Chaplin's The Gold Rush). While this is far from one of Charlie Chaplin's best films, it is an entertaining little romp, and a fascinating look into the early career of one of comedy film's greatest masters.

https://www.youtube.com/watch?v=_gfMWt1oj7c

Probably the best teaming of stars at Keystone was the teaming of Mabel Normand and Fatty "Roscoe" Arbuckle. The two had perfect chemistry together and it was always a joy seeing them share the screen. Up next is my favorite pairing of the two, Fatty and Mabel's Simple Life from 1915. This short shows a bit of sweetness in the characters that is unusual in Keystone films, that actually tuned up multiple times in the shorts that teamed these two up. It works in these films because of the talent these two stars had. However this is still a slapstick comedy at heart, featuring much of the typical Keystone sense of humor, and much of it is quite funny. The film was directed by Fatty himself. So enjoy.
https://www.youtube.com/watch?v=1_T80QoRLIs

By the time this last short (1924) was made, the studio had changed it's name to Mack Sennett Comedies. This short stars the studios latest big star, Harry Langdon, who Mack Sennett felt was the greatest comedian he ever worked with. This is one of Harry's best shorts a mini masterpiece called All Night Long. The film was directed by Harry Edwards and written by Arthur Ripley, two of Harry's best collaborators. Despite Frank Capra often times given himself credit for creating Harry's character, this film was done before he ever worked on a film with Harry Langdon, and it is obvious that the character is fully developed here. While hints of Harry's character showed up in earlier films, this is one of the earliest (and arguably the earliest) times that every thing came together perfectly. This film also has the slower pacing and offbeat humor that is shown in Harry's best work. This may be one of the greatest live action short comedies ever made so enjoy, a lot.
     https://www.youtube.com/watch?v=4D4kt55ezsE

-Michael J. Ruhland

Classic Film Comedy Short Stories #12

It's been a while since I have done one of these. So a quick reminder this is a mixture of trivia and short stories about classic film comedy (1912.-1955). This was inspired by the Animation Antidotes posts on Cartoon research.com to give credit where credit is due.

French cinema and stage legend Sacha Guitry made only one published novel. This novel was adapted by Guiltry himself into his most popular film, The Story of a Cheat (1936). Most of his films were based off his own plays. Another exception to this is his film The Pearls of the Crown (1937). That film was his only story originally written (by himself) to be a movie. Both are fantastic films I highly recommend.





Director Chuck Jones had a set of rules for the coyote and roadrunner cartoons to follow (Roadrunner must stay on the road, No dialogue beyond "Beep Beep", the roadrunner must never hurt the coyote, etc.). However his main writer Michael Maltese was unaware of such rules. Coyote and roadrunner cartoons were the easiest cartoons to make for them, and therefore where often used to fill time when another cartoon was taking a longer time.

Laurel and Hardy made foreign language versions of their own films, by reading the words written phonetically off-screen. Some of these were in fact longer than the original English language version (with extra scenes added) and some combined multiple shorts together. Though it is often written that Pardon Us was the team's first feature (it was their first English language one) the first of their films to reach feature length (at least that I'm aware of) was Noche De Duendes (1930), a Spanish language version of The Laurel and Hardy Murder Case (1930) with scenes from Berthmarks added. This film was 49 minutes, and a feature is any film over 40 minutes.

When working on the film The Kid (1921), Charlie Chaplin would take Jackie Coogan (who played the title character) to an amusement park, for pony rides or whatever every Sunday. The two remained close for many years.

-Michael J. Ruhland